Falling somewhere between Luc Ferreri and Crass, Mirabelle Plum explores the experimental borderland of musique concrète, punk, and the aesthetics of field recording.
Noise and random environmental sounds are held together by a persistent drive of militaristic snare. Layering of speech and traffic create rhythmical repetitions—abstractions that increase the degree of estrangement. Passages filled with everyday sounds become alien—recognizable yet foreign.
Recommended.
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